Copyright Wars - Why Bother Registering A Copyright?

Of all the forms of intellectual property protection - patents, copyrights, trademarks, trade secrets - copyrights are the most affordable to register. Copyrights are the lifeblood of just about every creative type of business, entrepreneur and artist. The general rule in the U.S. is that the copyright in a work MUST be REGISTERED with the U.S. Copyright Office BEFORE a copyright infringement lawsuit can be filed. There are some exceptions to that general rule, most notably in the 9th Circuit due to a recent court decision here. The 9th Circuit consists of California, Alaska, Oregon, Nevada, Arizona, Idaho and Montana. Thus in the 9th Circuit a copyright infringement lawsuit can be filed if the copyright owner has merely filed a copyright APPLICATION, even if the registration certificate hasn't issued yet. But in states where the general rule applies, it can be a real drag if you have to wait for the Copyright Office to process your copyright application before you can file your lawsuit. That can take anywhere from 8 - 18 months (or more) - UNLESS you want to pay a "Special Handling" fee of $760 on top of the regular $35 fee. The Special Handling fee will usually get the Copyright Office to register your copyright in about 10 days or less. When it comes to copyrights, our motto is: "Register early and often".

Copyright Wars: Google Wins Round 1 in Viacom Lawsuit

For better or for worse, the wheels of justice can sometimes move at something less than lightning speed. Viacom Inc. filed a $1 billion federal court copyright infringement lawsuit against YouTube more than three years ago and only this week the judge in the case 86d Viacom's complaint. [In technical legalese the judge granted YouTube's motion for summary judgment]. This doesn't mean that the case is over, and Viacom may still get its "day in court" - but the granting of the summary judgment motion is a bad sign for Viacom. Now it will have to appeal the court's decision to the federal court of appeals. We predict that the case will eventually end up in the U.S. Supreme Court. Here is a good article which describes the latest developments in this case in greater detail.

Trademark Wars - Part 2: Bogus Trademark Protection & Renewal Services

If you own a U.S. trademark registration - or even if you have just filed a trademark application - you may receive an unsolicited official-looking notice from an organization with an official-sounding name like "U.S. Trademark Protection Service" that offers to "monitor" your trademark application or renew your trademark registration. These companies are not affiliated with the official U.S. Patent & Trademark Office ("PTO") where you filed your trademark application and it is unclear who owns, controls and operates these document filing companies. What is clear is that many trademark owners are confused by these notices. It is also clear that many of these companies appear to be practicing law without a license AND are providing incomplete advice. For example, the notices from these companies that I have reviewed usually fail to notify a trademark owner that it is important to file an "Affidavit of Incontestability" with the PTO between the 5th and 6th year after a trademark is first registered. Filing the Affidavit of Incontestability is optional - not mandatory - but it greatly improves and strengthens the value of your trademark registration.

Here is an excerpt from the warning notice at the PTO website:

Warning to USPTO Customers: Trademark Monitoring and Document Filing Companies

You may receive unsolicited communications from companies requesting fees for trademark related services, such as monitoring and document filing. Although solicitations from these companies frequently display customer-specific information, including USPTO serial number or registration number and owner name, companies who offer these services are not affiliated or associated with the USPTO or any other federal agency. The USPTO does not provide trademark monitoring or any similar services.

Such companies typically charge a service fee in addition to applicable USPTO fees. In many instances, applicants and registrants have mistakenly believed that the USPTO has issued these communications or that these companies are affiliated with the USPTO. Complaints about such companies or communications may be made to the Federal Trade Commission, at http://www.ftccomplaintassistant.gov/.

Here are Branfman Law Group's tips to our clients and friends: (1) Remember that the official name of the PTO is "United States Patent & Trademark Office"; (2) If you used a lawyer to file your trademark application, contact your lawyer when you receive one of these unsolicited notices; and (3) If you filed your own trademark application or want to renew your trademark registration yourself, go directly to the PTO website at www.uspto.gov and follow the instructions. We are here to help if you have any questions.

TRADEMARK WARS: What Can We Learn From a Sandwich?

Don't ask us why, but we love trademarks. We love helping to create them, build and protect them. But every once in a while, someone goes just a little too far. This may be one of those cases: the company that owns the Subway® sandwich chain is trying to register the word "Footlong" as a trademark for sandwiches and restaurant services AND is sending out "cease and desist" letters to other companies that use the term "footlong" for their sandwiches.

This situation raises a whole host of issues, but one of the main ones is that it highlights the serious problems that can arise when someone – in this case SUBWAY® – picks a weak trademark and tries to corner the market with it. But what the news reports don't mention is something even more interesting that we discovered when we combed through the records of the Patent & Trademark Office ("PTO"): about a dozen other food/restaurant franchises like Domino’s, Taco Bell, Pizza Hut, KFC and Dairy Queen have all ganged up on Subway® and filed formal written Oppositions to the Subway® trademark application for “Footlong”. We don’t recall ever seeing such a concerted effort by a dozen large corporations to stop one company from registering a trademark. Although the Subway lawyers were somehow able to convince the PTO to initially allow the trademark application for "Footlong", we aren't putting any money on Subway's ability to ultimately get the trademark registered or stop anyone else from using "Footlong". More to follow as the case unfolds!

Digital Music Royalties Waiting to Be Paid - Part 1

These days, there are so many various ways that musicians (recording artists), songwriters, record labels and music publishers can get paid (or not get paid - as the case may be) when recorded music is played on traditional AM/FM radio, satellite radio, Internet streaming, cable TV, etc., it can make your head spin. For example, for many years three organizations (ASCAP, BMI and SESAC) have collected royalties paid by traditional AM/FM radio stations for playing music and then distributed those royalties to the songwriters who wrote the songs and the music publishers who own the copyrights in them. But due to a long-standing tradition and legal exemption, the singers and musicians who perform on the records played on AM/FM radio stations - as well as the record labels who own the recordings - DON'T get paid any share of the royalties collected by ASCAP/BMI/SESAC from the radio stations. And to make it even more confusing, when those same songs are streamed over the Internet by the companies that own the AM/FM radio stations, everyone - including the recordings artists and record labels - DO get paid. Go figure.

Needless to say, it's a confusing situation for most recording artists, songwriter, music publishers and record labels. But as a starting point, we highly recommend that songwriters and music publishers affiliate themselves with either ASCAP, BMI or SESAC so that they can paid what they are due when the songs they write and publish get played on traditional AM/FM radio and in other public performances. We also recommend, of course, that songwriters and publishers REGISTER THEIR COPYRIGHTS with the U.S. Copyright Office.

We are also recommending that recording artists and record labels get familiar with a non-profit organization called Sound Exchange (click here) so that they can get paid when their songs are played on satellite radio such as SIRIUS/XM, Internet streaming radio stations, etc. We will have a more detailed report about Sound Exchange in an upcoming blog entry. In the meantime, please call or write if you have any questions about these kinds of issues.

Are Mardi Gras Costumes Copyrightable?

U.S. copyright law protects a lot of content - everything from books and art to motion pictures, TV shows, sculpture and choreography - and lots in between. But certain things are not copyrightable: ideas, concepts, short titles and useful articles like clothing designs. But here is a recent article that explores the boundaries of the law regarding clothing designs. It addresses the question of whether those grandiose and fabulous Mardi Gras costumes way down in New Orleans are suitable (no pun intended) for copyright protection. We do not know if this issue will be tested in court or how a judge might rule if presented with the issue. But we do believe that these kinds of Mardi Gras costumes are way more than merely functional clothing designs and therefore they should be copyrightable. If that happens, however, is it just going to clog up the courts with more lawsuits when one Mardi Gras costumer designer decides that another costume design is too close to his or hers and constitutes copyright infringement? We will see.

Hollywood In Sight: "The Runaways" Film

We are pleased to report that the new film entitled "The Runaways" starring Kristen Stewart, Dakota Fanning, and Michael Shannon opened nationally yesterday after having its Los Angeles red-carpet premiere Thursday March 11, 2010. Kristen Stewart and Dakota Fanning star as Joan Jett and Cherie Currie, two of the founding members of the first all-female rock and roll band "The Runaways". Michael Shannon - nominated for an Academy Award for his role in "Revolutionary Road" - co-stars as our friend and client, the legendary music impresario Kim Fowley.

So far the word on the street is that Michael Shannon almost steals the film from Stewart and Fanning - the stars of the latest "Twilight" movie. According to the L.A. Times, Shannon plays Kim with "a delicious twisted perverseness" and "infuses manic life and libido into the crazy, controlling genius in caftans". We had the pleasure of representing Kim in the negotiations with the film's producers several years ago for the rights to his story. Since we knew that the movie would be based on Cherie Currie's acidic tell-all biography and that every great story needs a villain, we anticipated that Kim's character would be portrayed as a combination of a psycho-Svengali and Fagin. Thus for us the toughest task in the negotiations with the producers of the film was to ensure contractually that the producers, writer and director did not take too much liberty with the characterization of Kim. The producers initially resisted our efforts to place limits on their right to shape the character, but this was deal-breaker for Kim and eventually we were able to strike a compromise that was acceptable to all parties. That's not to say that Michael Shannon's portrayal of Kim doesn't show him to be a tough taskmaster that wrangled a bunch of teenagers to help them achieve their dream at a time when almost anything was ok in the name of achieving success. But The Runaways rocked when women weren't supposed to do that and were a genuine sensation in that gap between the end of the 60s and the coming of the Ramones, Sex Pistols, etc. Thus Kim's characterization in the film may not be flattering by modern standards. But, that is - as they say - entertainment. More to follow when the film opens in San Diego...

For a link to a photo of Kim Fowley, Michael Shannon, and the film's director Floria Sigismondi click here.
For a movie clip where Kim introduces Cherie Curie to Joan Jett click here.